Nikoletta Winters
DANGEROUSLY NASTY. I think this entire album should be used in a dark first person shooter. Gives me Quake vibes. Also those vocals—holy shit! All around amazing. A revelation.
Favorite track: Vagrancy.
Be the Hammer [B_Γ_H] is a Belgium-based collaborative project revolving around its sole constant member, Raoul Puke, surrounded with various contributors depending on the release. He started with recording material alongside thereminist / vocalist Dominique Van Cappellen-Waldock (Baby Fire, von Stroheim), thus giving birth to Be the Hammer's first album, Tangled Mass, released in 2015.
Later on he teamed up with guitarist / co-producer Jean-Marc Nicoletti (UnSoNiC), forming the project's current line-up.
Their music comes from a combination of drone and spoken word, but keeps exploring various paths, and lately has been including more and more rhythmic elements.
JOHN 3:16 is the guise of Philippe Gerber, formerly one third of the London-based trio Heat From A DeadStar (2004 – '09), who became the first non-US band to be signed by Rick Harte's Boston-based Ace Of Hearts Records. As JOHN 3:16, Gerber's music has been released by Alrealon Musique, Flood Records, 75orLess, White Label Music and more. Gerber has collaborated with the likes of Oxbow's vocalist Eugene S. Robinson, Pas Musique, I-Symptom, Peter Webber and Mark Harris.
Recently, his work as a trailer music composer has helped to inform a new direction in his own studio albums, making them sound more and more cinematic.
Swarm is the outcome of a remote collaboration between these three, resulting in a 44 minute long sonic nightmare, the score to a horror film that doesn't exist.
Credits:
Written, recorded and produced by Be the Hammer & JOHN 3:16
Lyrics by Raoul Puke
Mixed by Jean-Marc Nicoletti
Mastered by Philippe Gerber at All Real Sound
Be the Hammer are:
J-M. Nicoletti: guitars, synths, programming
R. Puke: vocals, synths, sampling
JOHN 3:16 is Philippe Gerber [guitars, synths, electronic drums]
Artcover: Mimusa
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Be the Hammer [B_Γ_H] is a Belgium-based collaborative project revolving around its sole constant member, Raoul Puke, surrounded with various contributors depending on the release. He started with recording material alongside thereminist / vocalist Dominique Van Cappellen-Waldock (Baby Fire, von Stroheim), thus giving birth to Be the Hammer's first album, Tangled Mass, released in 2015.
Later on he teamed up with guitarist / co-producer Jean-Marc Nicoletti (UnSoNiC), forming the project's current line-up.
Their music comes from a combination of drone and spoken word, but keeps exploring various paths, and lately has been including more and more rhythmic elements.
JOHN 3:16 is the guise of Philippe Gerber, formerly one third of the London-based trio Heat From A DeadStar (2004 – '09), who became the first non-US band to be signed by Rick Harte's Boston-based Ace Of Hearts Records. As JOHN 3:16, Gerber's music has been released by Alrealon Musique, Flood Records, 75orLess, White Label Music and more. Gerber has collaborated with the likes of Oxbow's vocalist Eugene S. Robinson, Pas Musique, I-Symptom, Peter Webber and Mark Harris.
Recently, his work as a trailer music composer has helped to inform a new direction in his own studio albums, making them sound more and more cinematic.
Swarm is the outcome of a remote collaboration between these three, resulting in a 44 minute long sonic nightmare, the score to a horror film that doesn't exist.
credits
released June 29, 2022
Written, recorded and produced by Be the Hammer & JOHN 3:16
Lyrics by Raoul Puke
Mixed by Jean-Marc Nicoletti
Mastered by Philippe Gerber at All Real Sound
Be the Hammer are:
J-M. Nicoletti: guitars, synths, programming
R. Puke: vocals, synths, sampling
JOHN 3:16 is Philippe Gerber [guitars, synths, electronic drums]
Industrial Complexx is a media linked to dark, transgressive, experimental, eclectic and dissonant electronic music. It first emerges as a digital platform but, its activity expands as a record company, and also, as a printed medium.
Massive and very well produced, a monster of an album. When I say monster I mean it. This record can be frightening, huge, quiet and aggressive all at the same time. The Ambient/Industrial sound J316 creates moves, which is good as most of that music stays in one place all the time. Woven into that is some excellent guitar work that I can't categorize, which to me is always a good thing. Sliding inside an empty oil tanker is what this feels and sounds like. Recommended. Anthony Washburn
Epic. The percussion is bone crushing and rhythms entrancing. The drones envelop the space, sucking the listener in and trapping them where there is nothing but immense noise and spoken word to hear. The atmosphere is dark, gripping, and frightening with powerfully haunting energy, all with elegant songwriting on a perfectly arranged album that showcases truly diverse soundscapes that lure the listener back again and again to experience all its nuances. Mr. Conner
A stellar cast of artists put their own shadowy spins on recent Bestial Mouths material—toward the goth club floor or into pure noise. Bandcamp New & Notable May 11, 2021
This brilliant compilation from UK label Under My Feet offers scorching songs from a who’s who of experimental electronic music. Bandcamp New & Notable Jul 2, 2023
A gripping journey through dark places we should not venture. If you like to stimulate your subconscious to the buddings of awareness, dig into Yoldath Aloho and the entire JOHN 3:16 discography. Mr. Conner